Asia N. posing with Harley-Davidson motorcycle during New York International Auto Show
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photo by: Roman Kajzer @FotoManiacNYC
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NYC Auto SHow – Models & Product Specialists
thank you for your visit and comments …
dziekuje za wizyte i komentarz… (Polish)
gracias por su visita y comentarios … (Spanish)
obrigado por sua visita e comentários… (Portugese)
la ringrazio per la vostra visita e commenti … (Italian)
je vous remercie de votre visite et commentaires …(French)
ich danke Ihnen für Ihren Besuch und Kommentare …(German)
поблагодарить Вас за Ваш визит и комментарии … (Russian)
여러분의 방문이나 의견 주셔서 감사합니다 … (Korean)
شكرا لك على الزيارة والتعليقات… (Arabic)
The Evolution of Auto Show ‘Booth Babes’
VIDEO INTERVIEW WITH INDUSTRY INSIDERS (3:03)
Once called ‘booth babes,’ product specialists at auto shows have evolved into trained spokespeople for car brands.
The rebirth of the U.S. auto industry has been accompanied by a trend that the millions of people who visit car shows each year are bound to notice: The auto-show model has made a roaring comeback.
After several lean years, some car companies have doubled their use of so-called product specialists, These aspiring fashion models or actors earn as much as $1,000 a day for staffing the companies’ displays and answering questions about their vehicles while looking better than almost anyone else around. For a single show, their services can cost an auto maker hundreds of thousands of dollars.
In recent years, the job, which has long required a detailed knowledge of vehicle specs and pricing, has expanded to include market research. Hedy Popson, a onetime show model who runs a talent agency, said auto companies are interested in their models extracting as much information from show visitors as they give out.
“What are consumers saying?” said Ms. Popson, referring to one of the many questions car makers ask her company, Productions Plus. “Are they interested in the economy anymore? Do they want brighter colors? What do they think of the aesthetics, the style, the design?”
“The minute the consumer leaves, the product specialist is downloading all that [information], either on an iPad, an iPhone, by text, because that is their job,” said Ms. Popson, who oversees 300 or more models at a big show like the North American International Auto Show.
Some product specialists write daily briefs. Others compile a comprehensive report at the end of a show, which can run as long as two weeks.
The renewed demand for models stems from several factors. Auto makers are willing to dress the predominantly female hires more provocatively than was customary during the industry’s downturn and bankruptcies, said Ms. Popson. This year, with auto sales at near-decade highs and a glow overhanging Detroit, car companies see value in sex appeal. They are “saying ‘it’s time to have fun again,’ ” Ms. Popson added.
Not only can attractive people sell cars, they can squeeze a lot out of conversations, said Joe Gallant, Nissan Motor Co.’s auto-show and exhibits head. “Young women representing a brand at an auto show are much more approachable—I use the word accessible,” he said.
Men also play a part. Ken Paul Smith, a Nissan product specialist for 19 years, says he remembers getting a lot of negative feedback several years ago on a feature in the trunk of the Infiniti sedan. Show models, including Mr. Smith, scrambled to get the comments to Nissan executives, and the auto maker ordered a design change.
Productions Plus model, got her marching orders. Wearing an off-brand gray-leather jacket and hound’s-tooth patterned cropped pants, she gathered feedback on General Motors Co.’s redesigned Chevrolet Volt, a plug-in hybrid vehicle unveiled this week.
Before the show ends she will see hundreds of thousands of visitors come by the Chevy display area. And she plans to use her iPad to jot down loads of comments about the Volt. “I’m very curious to hear what they’re going to tell us now,” she said.
Ms. Fotiu has a lot riding on the Volt’s success. While not an engineer or car designer, she has been appearing alongside the Volt since 2011 at shows all over the country. Over two years, she collected comments on its seating, radio controls and climate systems. Those comments played a role in GM’s redesign efforts.
“We got a lot of feedback because this was when the technology was brand new,” she recalled. “And [consumers] really picked it apart for us. We sent all that information back to GM, and that’s why when this next generation [of the Volt] came out, it changed a lot, based on what they said.”
While Detroit, New York, Chicago and Los Angeles host the nation’s biggest auto shows, they are among a handful of the hundreds held across the globe each year. Even small venues can provide important insights.
On New Year’s Eve, Chicago-based model and actress Cathleen Hennon was working the Indy Auto Show in Indianapolis, hoping to glean useful information from the clutch of visitors braving 16-degree temperatures to attend. Ms. Hennon, in a formfitting black jumpsuit designed by La Petite Robe and necklace and earrings by Givenchy, hit pay dirt within minutes of starting her shift.
Nearby, Michelle Loya, wearing a red Armani jersey faux wrap dress, worked on an iPad screen jammed with remarks she had heard about Toyota cars. The Prius hybrid needed a power lift gate, according to one visitor. Another urged Toyota to make heated cloth seats an option on all vehicles.
“The Camry XSE rims are just plain ugly,” one visitor told her. Another suggested that Toyota should come up with a better option to its current wheels, which were “a deal breaker.”
Based on her several years of experience, Ms. Loya said, she believes the Japanese auto maker will take action. A few years ago, when a new version of the best-selling Camry sedan came out, it didn’t have the HomeLink garage-opening system standard on some competing makes. After getting negative feedback, including complaints from the show floor, Toyota added the system.
Above writen by John D. Stoll for WSJ (firstname.lastname@example.org)
LINK TO ARTICLE ON WSJ WEBSITE.
A model (from Middle French modelle) is a person with a role either to promote, display, or advertise commercial products (notably fashion clothing) or to serve as a visual aide for people who are creating works of art or to pose for photography.
Modelling ("modeling" in American English) is considered to be different from other types of public performance, such as acting or dancing. Although the difference between modelling and performing is not always clear, appearing in a film or a play is not generally considered to be "modelling".
Types of modelling include: fashion, glamour, fitness, bikini, fine art, body-part, promotional and commercial print models. Models are featured in a variety of media formats including: books, magazines, films, newspapers, internet and TV. Fashion models are sometimes featured in films: (Looker), reality TV shows (America’s Next Top Model, The Janice Dickinson Modeling Agency), and music videos: ("Freedom! ’90", "Wicked Game", "Daughters", and "Blurred Lines").
Celebrities, including actors, singers, sports personalities and reality TV stars, frequently take modelling contracts in addition to their regular work.
HISTORY OF MODELING
Modelling as a profession was first established in 1853 by Charles Frederick Worth, the "father of haute couture", when he asked his wife, Marie Vernet Worth, to model the clothes he designed. The term "house model" was coined to describe this type of work. Eventually, this became common practice for Parisian fashion houses. There were no standard physical measurement requirements for a model, and most designers would use women of varying sizes to demonstrate variety in their designs.
With the development of fashion photography, the modelling profession expanded to photo modelling. Models remained fairly anonymous, and relatively poorly paid, until the late 1950’s. One of the first well-known models was Lisa Fonssagrives, who was very popular in the 1930’s. Fonssagrives appeared on over 200 Vogue covers, and her name recognition led to the importance of Vogue in shaping the careers of fashion models. In 1946, Ford Models was established by Eileen and Gerard Ford in New York; it is one of the oldest model agencies in the world. One of the most popular models during the 1940’s was Jinx Falkenburg who was paid $25 per hour, a large sum at the time. During the 1940’s and 1950’s, Wilhelmina Cooper, Jean Patchett, Dovima, Dorian Leigh, Suzy Parker, Evelyn Tripp, Carmen Dell’Orefice, and Lisa Fonssagrives dominated fashion. Dorothea Church was among the first black models in the industry to gain notoriety in Paris. However, these models were unknown outside the fashion community. Compared to today’s models, the models of the 1950’s were more voluptuous. Wilhelmina Cooper’s measurements were 38"-24"-36" whereas Chanel Iman’s measurements are 32"-23"-33".
The 1960s and the beginning of the industry
In the 1960’s, the modelling world began to establish modelling agencies. Throughout Europe, secretarial services acted as models’ agents charging them weekly rates for their messages and bookings. For the most part, models were responsible for their own billing. In Germany, agents were not allowed to work for a percentage of a person’s earnings, so referred to themselves as secretaries. With the exception of a few models travelling to Paris or New York, travelling was relatively unheard of for a model. Most models only worked in one market due to different labor laws governing modelling in various countries. In the 1960’s, Italy had many fashion houses and fashion magazines but was in dire need of models. Italian agencies would often coerce models to return to Italy without work visas by withholding their pay. They would also pay their models in cash, which models would have to hide from customs agents. It was not uncommon for models staying in hotels such as La Louisiana in Paris or the Arena in Milan to have their hotel rooms raided by the police looking for their work visas. It was rumored that competing agencies were behind the raids. This led many agencies to form worldwide chains; for example, the Marilyn Agency has branches in Paris and New York.
By the late 1960’s, London was considered the best market in Europe due to its more organised and innovative approach to modelling. It was during this period that models began to become household names. Models like: Jean Shrimpton, Joanna Lumley, Tania Mallet, Celia Hammond, Twiggy, Penelope Tree, and Pauline Stone dominated the London fashion scene and were well paid, unlike their predecessors. Twiggy became The Face of ’66 at the age of 16. At this time, model agencies were not as restrictive about the models they represented, although it was uncommon for them to sign shorter models. Twiggy, who stood at 5 feet 6 inches (168 cm) with a 32" bust and had a boy’s haircut, is credited with changing model ideals. At that time, she earned £80 an hour, while the average wage was £15 a week.
In 1967, seven of the top model agents in London formed the Association of London Model Agents. The formation of this association helped legitimize modelling and changed the fashion industry. Even with a more professional attitude towards modelling, models were still expected to have their hair and makeup done before they arrived at a shoot. Meanwhile, agencies took responsibility for a model’s promotional materials and branding. That same year, former top fashion model Wilhelmina Cooper opened up her own fashion agency with her husband called Wilhelmina Models. By 1968, FM Agency and Models 1 were established and represented models in a similar way that agencies do today. By the late 1960’s, models were treated better and were making better wages. One of the innovators, Ford Models, was the first agency to advance models money they were owed and would often allow teen models, who did not live locally, to reside in their house, a precursor to model housing.
The 1970’s and 1980’s
The innovations of the 1960’s flowed into the 1970’s fashion scene. As a result of model industry associations and standards, model agencies became more business minded, and more thought went into a model’s promotional materials. By this time, agencies were starting to pay for a model’s publicity. In the early 1970’s, Scandinavia had many tall, leggy, blonde-haired, blue-eyed models and not enough clients. It was during this time that Ford Models pioneered scouting. They would spend time working with agencies holding modelling contests. This was the precursor to the Ford Models Supermodel of the World competition which was established in 1980. Ford also focused their attentions on Brazil which had a wide array of seemingly "exotic" models, which eventually led to establishment of Ford Models Brazil. It was also during this time that the Sports Illustrated Swimsuit Issue debuted. The magazine set a trend by photographing "bigger and healthier" California models, and printing their names by their photos, thus turning many of them into household names and establishing the issue as a hallmark of supermodel status.
The 1970’s marked numerous milestones in fashion. Beverly Johnson was the first African American to appear on the cover of U.S. Vogue in 1974. Models, including Grace Jones, Donyale Luna, Minah Bird, Naomi Sims, and Toukie Smith were some of the top black fashion models who paved the way for black women in fashion. In 1975, Margaux Hemingway landed a then-unprecedented million-dollar contract as the face of Fabergé’s Babe perfume and the same year appeared on the cover of Time magazine, labelled one of the "New Beauties," giving further name recognition to fashion models.
Many of the world’s most prominent modelling agencies were established in the 1970’s and early 1980’s. These agencies created the standard by which agencies now run. In 1974, Nevs Models was established in London with only a men’s board, the first of its kind. Elite Models was founded in Paris in 1975 as well as Friday’s Models in Japan. The next year Cal-Carries was established in Singapore, the first of a chain of agencies in Asia. In 1977, Select Model Management opened its doors as well as Why Not Models in Milan. By the 1980’s, agencies such as Premier Model Management, Storm Models, Mikas, Marilyn, and Metropolitan Models had been established.
By the 1980’s, most models were able to make modelling a full-time career. It was common for models to travel abroad and work throughout Europe. As modelling became global, numerous agencies began to think globally. In 1980, Ford Models, the innovator of scouting, introduced the Ford Models Supermodel of the World contest. That same year, John Casablancas opened Elite Models in New York. In 1981, cosmetics companies began contracting top models to lucrative endorsement deals. By 1983, Elite developed its own contest titled the Elite Model Look competition. In New York during the 1980’s there were so-called "model wars" in which the Ford and Elite agencies fought over models and campaigns. Models were jumping back and forth between agencies such Elite, Wilhelmina, and Ford. In New York, the late 1980’s trend was the boyish look in which models had short cropped hair and looked androgynous. In Europe, the trend was the exact opposite. During this time, a lot of American models who were considered more feminine looking moved abroad. By the mid-1980’s, big hair was made popular by some musical groups, and the boyish look was out. The curvaceous models who had been popular in the 1950’s and early 1970’s were in style again. Models like Patti Hansen earned $200 an hour for print and $2,000 for television plus residuals. It was estimated that Hansen earned about $300,000 a year during the 1980’s.
The 1990’s to present
The early 1990’s were dominated by the high fashion models of the late 1980’s. In 1990, Linda Evangelista famously said to Vogue, "we don’t wake up for less than $10,000 a day". Evangelista and her contemporaries, Naomi Campbell, Cindy Crawford, Christy Turlington, Tatjana Patitz and Stephanie Seymour, became arguably the most recognizable models in the world, earning the moniker of "supermodel", and were boosted to global recognition and new heights of wealth for the industry. In 1991, Turlington signed a contract with Maybelline that paid her $800,000 for twelve days’ work each year.
By the mid‑1990’s, the new "heroin chic" movement became popular amongst New York and London editorial clients. While the heroin chic movement was inspired by model Jaime King, who suffered from a heroin addiction, it was Kate Moss who became its poster child through her ads for Calvin Klein. In spite of the heroin chic movement, model Claudia Schiffer earned $12 million. With the popularity of lingerie retailer Victoria’s Secret, and the Sports Illustrated Swimsuit Issue, there was a need for healthier-looking supermodels such as Tyra Banks and Heidi Klum to meet commercial modelling demand. The mid‑1990’s also saw many Asian countries establishing modelling agencies.
By the late 1990’s, the heroin chic era had run its course. Teen-inspired clothing infiltrated mainstream fashion, teen pop music was on the rise, and artists such as Britney Spears and Christina Aguilera popularized pleather and bare midriffs. As fashion changed to a more youthful demographic, the models who rose to fame had to be sexier for the digital age. Following Gisele Bundchen’s breakthrough, a wave of Brazilian models including Adriana Lima, Alessandra Ambrosio, and Ana Beatriz Barros rose to fame on runways and became popular in commercial modelling throughout the 2000’s. Some attribute this to decisions by magazines to replace models with celebrities their covers.
In the late 2000’s, the Brazilians fell out of favor on the runways. Editorial clients were favoring models with a china-doll or alien look to them, such as Gemma Ward and Lily Cole. During the 2000’s, Ford Models and NEXT Model Management were engaged in a legal battle, with each agency alleging that the other was stealing its models.
However, the biggest controversy of the 2000’s was the health of high-fashion models participating in fashion week. While the health of models had been a concern since the 1970’s, there were several high-profile news stories surrounding the deaths of young fashion models due to eating disorders and drug abuse. The British Fashion Council subsequently asked designers to sign a contract stating they would not use models under the age of sixteen. On March 3, 2012, Vogue banned models under the age of sixteen as well as models who appeared to have an eating disorder. Similarly, other countries placed bans on unhealthy, and underage models, including Spain, Italy, and Israel, which all enacted a minimum body mass index (BMI) requirement.
The often thin shape of many fashion models has been criticized for warping girls’ body image and encouraging eating disorders. Organizers of a fashion show in Madrid in September 2006 turned away models who were judged to be underweight by medical personnel who were on hand. In February 2007, six months after her sister, Luisel Ramos, also a model, died, Uruguayan model Eliana Ramos became the third fashion model to die of malnutrition in six months. The second victim was Ana Carolina Reston. Luisel Ramos died of heart failure caused by anorexia nervosa just after stepping off the catwalk. In 2015, France passed a law requiring models to be declared healthy by a doctor in order to participate in fashion shows. The law also requires re-touched images to be marked as such in magazines.
In 2013, New York toughened its child labor law protections for models under the age of eighteen by passing New York Senate Bill No. 5486, which gives underage models the same labor protections afforded to child actors. Key new protections included the following: underage models are not to work before 5:00 pm or after 10:00 pm on school nights, nor were they to work later than 12:30 am on non-school nights; the models may not return to work less than twelve hours after they leave; a pediatric nurse must be on site; models under sixteen must be accompanied by an adult chaperone; parents or guardians of underage models must create a trust fund account into which employers will transfer a minimum of 15% of the child model’s gross earnings; and employers must set aside time and a dedicated space for educational instruction.
TYPES OF MODELING
Runway models showcase clothes from fashion designers, fashion media, and consumers. They are also called "live models" and are self-employed. They are wanted to be over the height of 5’8" for men and 5’6" for women. Runway models work in different locations, constantly travelling between those cities where fashion is well known—London, Milan, New York City, and Paris. Second-tier international fashion center cities include: Rome, Florence, Venice, Brescia, Barcelona, Los Angeles, Tokyo, and Moscow. Cities where catalog work comprises the bulk of fashion packaging, merchandising and marketing work are: Miami, San Francisco, Sydney, Chicago, Toronto, Mexico City, Tokyo, Hamburg, London, and Beijing.
The criteria for runway models include certain height and weight requirements. During runway shows, models have to constantly change clothes and makeup. Models walk, turn, and stand in order to demonstrate a garment’s key features. Models also go to interviews (called "go and sees") to present their portfolios. The more experience a model has, the more likely she/he is to be hired for a fashion show. A runway model can also work in other areas, such as department store fashion shows, and the most successful models sometimes create their own product lines or go into acting.
The British Association of Model Agents (AMA) says that female models should be around 34"-24"-34" and between 5 ft 8 in (173 cm) and 5 ft 11 in (180 cm) tall. The average model is very slender. Those who do not meet the size requirement may try to become a plus-size model. According to the New York Better Business Career Services website, the preferred dimensions for a male model are a height of 5 ft 11 in (180 cm) to 6 ft 2 in (189 cm), a waist of 29–32 in (73.66–81.28 cm) and a chest measurement of 39–40 in (99.06–101.60 cm). Male runway models are notably skinny and well toned.
Male and female models must also possess clear skin, healthy hair, and attractive facial features. Stringent weight and body proportion guidelines form the selection criteria by which established, and would‑be, models are judged for their placement suitability, on an ongoing basis. There can be some variation regionally, and by market tier, subject to current prevailing trends at any point, in any era, by agents, agencies and end-clients.
Formerly, the required measurements for models were 35"-23.5"-35" in (90-60-90 cm), the alleged measurements of Marilyn Monroe. Today’s fashion models tend to have measurements closer to the AMA-recommended shape, but some – such as Afghan model Zohre Esmaeli – still have 35"-23.5"-35" measurements. Although in some fashion centers, a size 00 is more ideal than a size 0.
Plus-size models are models who generally have larger measurements than editorial fashion models. The primary use of plus-size models is to appear in advertising and runway shows for plus-size labels. Plus-size models are also engaged in work that is not strictly related to selling large-sized clothing, e.g., stock photography and advertising photography for cosmetics, household and pharmaceutical products and sunglasses, footwear and watches. Therefore, plus-size models do not exclusively wear garments marketed as plus-size clothing. This is especially true when participating in fashion editorials for mainstream fashion magazines. Some plus-size models have appeared in runway shows and campaigns for mainstream retailers and designers such as Gucci, Guess, Jean-Paul Gaultier, Levi’s and Versace Jeans.
A fit model works as a sort of live mannequin to give designers and pattern makers feedback on the fit, feel, movement, and drape of a garment to be produced in a given size.
Glamour modelling focuses on sexuality and thus general requirements are often unclear, being dependent more on each individual case. Glamour models can be any size or shape. There is no industry standard for glamour modelling and it varies greatly by country. For the most part, glamour models are limited to modelling in calendars, men’s magazines, such as Playboy, bikini modelling, lingerie modelling, fetish modelling, music videos, and extra work in films. However, some extremely popular glamour models transition into commercial print modelling, appearing in swimwear, bikini and lingerie campaigns.
It is widely considered that England created the market for glamour modelling when The Sun established Page 3 in 1969, a section in their newspaper which now features topless models. In the beginning, the newspaper featured sexually suggestive images of Penthouse and Playboy models. It was not until 1970 that models appeared topless. In the 1980’s, The Sun’s competitors followed suit and produced their own Page 3 sections. It was during this time that glamour models first came to prominence with the likes of Samantha Fox. As a result, the United Kingdom has a very large glamour market and has numerous glamour modelling agencies to this day.
It was not until the 1990’s that modern glamour modelling was established. During this time, the fashion industry was promoting models with waif bodies and androgynous looking women, which left a void. Several fashion models, who were deemed too commercial, and too curvaceous, were frustrated with industry standards, and took a different approach. Models such as Victoria Silvstedt left the fashion world and began modelling for men’s magazines. In the previous decades, posing nude for Playboy resulted in models losing their agencies and endorsements. Playboy was a stepping stone which catapulted the careers of Victoria Silvstedt, Pamela Anderson, and Anna Nicole Smith. Pamela Anderson became so popular from her Playboy spreads that she was able to land roles on Home Improvement and Baywatch.
In the mid-1990’s, a series of men’s magazines were established such as Maxim, FHM, and Stuff. At the same time, magazines including Sweden’s Slitz re-branded themselves as men’s magazines. Pre-internet, these magazines were popular among men in their late teens and early twenties because they were considered to be more tasteful than their predecessors. With the glamour market growing, fashion moved away from the waifs and onto Brazilian bombshells. The glamour market, which consisted mostly of commercial fashion models and commercial print models, became its own genre due to its popularity. Even in a large market like the United Kingdom, however, glamour models are not usually signed exclusively to one agency as they can not rely financially on one agency to provide them with enough work. It was, and still is, a common practice for glamour models to partake in kiss-and-tell interviews about their dalliances with famous men. The notoriety of their alleged bed-hopping often propels their popularity and they are often promoted by their current or former fling. With Page 3 models becoming fixtures in the British tabloids, glamour models such as Jordan, now known as Katie Price, became household names. By 2004, Page 3 regulars earned anywhere from £30,000 to 40,000, where the average salary of a non-Page 3 model, as of 2011, was between £10,000 and 20,000. In the early 2000’s, glamour models, and aspiring glamour models, appeared on reality television shows such as Big Brother to gain fame. Several Big Brother alumni parlayed their fifteen minutes of fame into successful glamour modelling careers. However, the glamour market became saturated by the mid-2000’s, and numerous men’s magazines including Arena, Stuff and FHM in the United States went under. During this time, there was a growing trend of glamour models, including Kellie Acreman and Lauren Pope, becoming DJs to supplement their income. In a 2012 interview, Keeley Hazell said that going topless is not the best way to achieve success and that "[she] was lucky to be in that 1% of people that get that, and become really successful."
An alternative model is any model who does not fit into the conventional model types and may include punk, goth, fetish, and tattooed models or models with distinctive attributes. This type of modeling is usually a cross between glamour modeling and art modeling. Publishers such as Goliath Books in Germany introduced alternative models and punk photography to larger audiences. Billi Gordon, then known as Wilbert Anthony Gordon, was the top greeting card model in the world and inspired a cottage industry including greeting cards, T-shirts, fans, stationery, gift bags, etc.
Some models are employed for their body parts. For example, hand models may be used to promote products held in the hand and nail-related products. (e.g. rings, other jewelry or nail polish). They are frequently part of television commercials. Many parts models have exceptionally attractive body parts, but there is also demand for unattractive or unusual looking body parts for particular campaigns.
Hands are the most in-demand body parts. Feet models are also in high demand, particularly those who fit sample size shoes. Models are also successful modelling other specific parts including abs, arms, back, bust or chest, legs, and lips. Some petite models (females who are under 5 ft 6 in (1.68 m) and do not qualify as fashion models) have found success in women’s body part modelling.
Parts model divisions can be found at agencies worldwide. Several agencies solely represent parts models, including Hired Hands in London, Body Parts Models in Los Angeles, Carmen Hand Model Management in New York and Parts Models in New York. Parts Models is the largest parts agency, representing over 300 parts models.
Fitness modelling focuses on displaying a healthy, toned physique. Fitness models usually have defined muscle groups. The model’s body weight is heavier due to muscle weighing more than fat; however, they have a lower body fat percentage because the muscles are toned and sculpted. Fitness models are often used in magazine advertising. Sometimes they are certified personal fitness trainers. However, other fitness models are also athletes and compete as professionals in fitness and figure competitions. There are several agencies in large markets such as New York, London, Germany that have fitness modelling agencies. While there is a large market for these models, most of these agencies are a secondary agency promoting models who typically earn their primary income as commercial models. Plus there are also magazines that gear towards specifically fitness modeling or getting fit and in shape. Fitness Models showcase their fitter side of their bodies on the covers gearing towards specific competitions in fitness and figure competitions.
A gravure idol, often abbreviated to gradol, is a Japanese female model who primarily models on magazines, especially men’s magazines, photobooks or DVDs.
"Gravure" (グラビア) is a Wasei-eigo term derived from "rotogravure", which is a type of intaglio printing process that was once a staple of newspaper photo features. The rotogravure process is still used for commercial printing of magazines, postcards, and cardboard product packaging.
Gravure idols appear in a wide range of photography styles and genres. Their photos are largely aimed at male audiences with poses or activities intended to be provocative or suggestive, generally accentuated by an air of playfulness and innocence rather than aggressive sexuality. Although gravure models may sometimes wear clothing that exposes most of their body, they seldom appear fully nude. Gravure models may be as young as pre-teen age up to early thirties. In addition to appearing in mainstream magazines, gravure idols often release their own professional photobooks and DVDs for their fans. Many popular female idols in Japan launched their careers by starting out as gravure idols.
Commercial print and on-camera models
Commercial print models generally appear in print ads for non-fashion products, and in television commercials. Commercial print models can earn up to $250 an hour. Commercial print models are usually non-exclusive, and primarily work in one location.
There are several large fashion agencies that have commercial print divisions, including Ford Models in the United States.
A promotional model is a model hired to drive consumer demand for a product, service, brand, or concept by directly interacting with potential consumers. The vast majority of promotional models tend to be attractive in physical appearance. They serve to provide information about the product or service and make it appealing to consumers. While the length of interaction may be short, the promotional model delivers a live experience that reflects on the product or service he or she is representing. This form of marketing touches fewer consumers for the cost than traditional advertising media (such as print, radio, and television); however, the consumer’s perception of a brand, product, service, or company is often more profoundly affected by a live person-to-person experience.
Marketing campaigns that make use of promotional models may take place in stores or shopping malls, at tradeshows, special promotional events, clubs, or even at outdoor public spaces. They are often held at high traffic locations to reach as many consumers as possible, or at venues at which a particular type of target consumer is expected to be present.
"Spokesmodel" is a term used for a model who is employed to be associated with a specific brand in advertisements. A spokesmodel may be a celebrity used only in advertisements (in contrast to a brand ambassador who is also expected to represent the company at various events), but more often the term refers to a model who is not a celebrity in their own right. A classic example of the spokesmodel are the models hired to be the Marlboro Man between 1954 and 1999.
Trade show models
Trade show models work a trade show floor-space or booth, and represent a company to attendees. Trade show models are typically not regular employees of the company, but are freelancers hired by the company renting the booth space. They are hired for several reasons: trade show models can make a company’s booth more visibly distinguishable from the hundreds of other booths with which it competes for attendee attention. They are articulate and quickly learn and explain or disseminate information on the company and its product(s) and service(s). And they can assist a company in handling a large number of attendees which the company might otherwise not have enough employees to accommodate, possibly increasing the number of sales or leads resulting from participation in the show.
Atmosphere models are hired by the producers of themed events to enhance the atmosphere or ambience of their event. They are usually dressed in costumes exemplifying the theme of the event and are often placed strategically in various locations around the venue. It is common for event guests to have their picture taken with atmosphere models. For example, if someone is throwing a "Brazilian Day" celebration, they would hire models dressed in samba costumes and headdresses to stand or walk around the party.
Podium models differ from runway models in that they don’t walk down a runway, but rather just stand on an elevated platform during fashion presentation. They are kind of like live mannequins placed in various places throughout an event. Attendees can walk up to the models and inspect and even feel the clothing. Podium Modeling is a practical alternative way of presenting fashion when space is too limited to have a full runway fashion show.
Art models pose for any visual artist as part of the creative process. Art models are often paid professionals who provide a reference or inspiration for a work of art that includes the human figure. The most common types of art created using models are figure drawing, figure painting, sculpture and photography, but almost any medium may be used. Although commercial motives dominate over aesthetics in illustration, its artwork commonly employs models. Models are most frequently employed for art classes or by informal groups of experienced artists that gather to share the expense of a model.
Instagram models are a recent phenomenon due to the rise of social media. These models gain their popularity due to how many followers they have on social media. Some Instagram models gain high-profile modeling gigs and become household names. High-profile model, Jen Selter, kicked off the Instagram model craze. Recently, Anna Faith and Caitlin O’Connor among many others, have had great success as Instagram Models.